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CERAMIC & FOOD ROUTE  

DESIGNERS 

Marta BAKOWSKI

Lili GAYMAN

Sarngsan NA SOOTORN 

IDE BOARD & EXPERTS

Mathilde BRETILLOT 

Pierangelo CARAMIA

Jill SILVERMAN VAN COENEGRAHTS

Marc BRETILLOT

LOCAL ACTORS 

Valentina de Carolis

Paolo Cesare

Politecnico di Bari

Bottega Vestita

Fasano Ceramiche

Pierre BALSAN  

Prof. Annalisa DI ROMA

Prof. Lorenzo NETTI

Nathalie VIOT

Sophie MONEY

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2019

Canzoniere Grecanico Salentino
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In the end, the format that IDE took encouraged us to listen to our deepest instincts, leading to a series of objects that will remain as they were left: ‘straight from the oven’, unpolished and honest.

Marta Bakowski

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Jill Silverman van Coenegrachts
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The Know-How of certain ancient materials found in Puglia, as well as the singular history of every corner of this region, provides a direct link between this particular culture and the rest of the world. In Puglia, the relationship between the ancient and the contemporary is inevitably present in every studio, whether a small atelier or a large enterprise, because the seductiveness of this region resides – to a great degree – in this very relationship between the symbolic power of the ancient and the comfort and relevance of the contemporary.

Pierangelo Caramia

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From the earliest times, human beings have developed activities around sustaining themselves through nourishment, and developing the objects that make this possible. The hunting cultures made hand axes from stone to kill animals. Later with gathering and the evolution of agriculture, food cultivation became a communal activity with vessels and objects made from baking the earth for serving and storage. ‘CERAMIC & FOOD’ have been a very old couple through all of human history, and this continues into our current world.

Jill Silverman Van Coenegrachts

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